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"He
reaches up, selects chords to play and then puts them back high on a shelf
where mere mortals cannot reach them" - Charlie Watkins
Harry Hussey studied the piano at
the age of five (playing by ear) and then took up the piano accordion when
he was 13 (also by ear) being self taught and never having a lesson.
Within 3 months of picking up the accordion Harry began entertaining the
regulars in his local pub "The Bird in the Hand" in Kilburn London and
from the age of just 14yrs he became a semi-professional musician.
At weekends from 1944 onwards (he was just 15 years old) he joined a dozen
or so other young budding accordionists as they eagerly queued outside
Wheatleys Piano Shop in Kilburn High Road at 8am hoping to be invited to
join one of the many scheduled charabanc buses as "The Accordionist for
the Day" on their daytrips to Southend, 8-10 buses would normally be
departing. Harry would stand for most of the journey at the front of the
bus alongside the driver with "one step in the stairwell" facing his
captured audience playing requests, party pieces and singalongs, anything
to help create a wonderful party atmosphere , he would then pass his
patent "accordion shaped collection tin" around so those aboard could show
their appreciation. The same at the half way stop on the Southend Road and
again at the seaside destination which was the famous "Kursaal" , he would
then move speedily towards " The Ship Inn " attempting to be amongst the
first to entertain the day trippers, sometimes there was as many as 50
buses arriving at Southend and most had an accordionist so he had to be
quick . If he was lucky he also got invited aboard one of the many boat
trips, where his trusty accordion tin would be passed around once more, a
hastily grabbed fish and chips and cup of tea if he was lucky before it
was back to Kilburn repeating the same hectic routine for the return
journey home arriving at approximately 11.30pm.
An extremely tired and exhausted Harry could, as a teenager , earn as much
as £9.00 on one of these busy weekend trips which was excellent and
amounted to approximately 3 times his fathers weekly wage in those days.
He continued with his love of music and accordion by playing throughout
his National Service which included radio broadcasts on the British Forces
Network from Hamburg in Germany including the time around 1948 when Cliff
Michelmore was a presenter. Harry then trained as a surveyor & builders
estimator and achieved his qualifications to become a chartered builder &
surveyor also becoming a Fellow of the Institute of Architecture &
Surveying. He then turned his interests to Arbitration and Law and
performed all sorts of jobs including director of a building company, an
area surveyor for a housing association and many many more. The impressive
array of letters that officially follow Harry's name read like a
dictionary as follows :- RICS. FCIOB. ACIArb. FASI MRSH.
During all of this extremely busy time in his life Harry still managed to
continue his gigging as a semi professional accordionist. His hugely
successful musical career has seen Harry playing for and alongside some of
the biggest names in show business including:- George Chisholm, Matt
Monroe, Alan Littlejohn (who once introduced Harry by saying " here is a
man on the squeezebox & wireless set" referring to his amplifier), Norman
Wisdom, Jack Emblow, Frank Marocco, Rolf Harris, Harry Dawson, Jimmy
Skidmore, Johnny Van Derrick, Anthony Newley and Rory Blackwell (who
affectionately always introduced Harry as "a refugee from the salvation
army"). Harry is probably one of the busiest and best loved accordionists
in this country at present and can be seen playing on the UK Accordion
Club & Festival Scene as a Soloist and often with his popular trio (Doug
Inkpen & George Overton-Carroll) He is also as a member of the hugely
successful Café Noir jazz group based at Hove in East Sussex who
frequently perform at prestigious jazz events including the Ealing Jazz
Festival.
Tel/Text:- 07980 - 390392 Fax:- 01904 - 763616 Contact:
(07980) 390392 |